Paintings Of Nature For Kids Biography
(Source google.com)
Paul Cézanne was a nineteenth century artist whose work was misunderstood by his contemporaries. A shy man who worked a great deal in Aix-en-Provence, the home town where he was born and raised, Cézanne moved Paris when he was young and, despite his father's wishes, pursued a career in art rather than law. Cézanne was a modern artist whose work was a precursor for Cubism and Fauvism. His compositions were usually dark in tone and he often chose to work inside rather than en plein air. Cézanne didn't receive critical acclaim until very late in his life and after his first solo exhibition. He never formed close friendships with many of his fellow artists but before he died there was a great deal of interest in his works. Paul Cézanne's modern style and technique was avant-garde and therefore misunderstood for many years. Even the other breakthrough artists of his era, the Impressionists, were dismissive of Cézanne's progressive style and method. After the first Impressionist exhibition many of them petitioned to have him banned from the other shows because Cézanne's compositions were too controversial.
Cézanne worked with thickly placed layers of paint and undefined forms and attempted to simplify everything into shapes that could be broken down. Although he was close with the Impressionist Camille Pissarro, and influenced by Pissarro's en plein air style of painting Cézanne was not an Impressionist. He was a highly modern artist who did not fit into any one category of painting style. His style was a precursor for the fauvism and cubism movements. Paul Cézanne was born to a wealthy family in Aix-en-Provence, France. His father was a successful banker whose riches assisted Cézanne throughout his life and his mother was a romantic who supported her son's career. In 1852 Cézanne entered the Collège Bourbon where he met his good friends Émile Zola and Baptistin Baille. The three were famously close for a long period of time. After a classical education in Aix-en-Provence Paul Cézanne's father wished him to become a lawyer. However after attending law school for two years (whilst receiving art lessons) he could not bear the thought of continuing his education and left for Paris. In Paris Paul Cézanne spent a large period of his time with Émile Zola, a French writer. He enrolled at the Académie Suisse, which is where he met his mentor, Camille Pissarro. After five months of trying to work as a painter in Paris, France, to no critical success, Cézanne returned to Aix-en-Provence at his father's request.
In his home town Paul Cézanne enrolled at the local art school and attempted to work as a banker but was also unsuccessful in this venture. Consequently in 1862 he returned to Paris to work as a painter. Disappointingly he failed the entrance exam to the Ecole des Beaux-Arts but continued to work between Paris and Aix-en-Provence and submitted many of his works to the Salon jury. By this time he was good friends with Impressionist painters Claude Monet and Camille Pissarro and had met his future wife. However, he also had a long-term mistress - Hortense Fiquet - and in the Prussian war Cézanne and Fiquet absconded from the Paris and stayed in L'Estaque, France, until 1871.
Cézanne was influenced by Impressionism in the 1870s. As a modern artist who was being constantly rejected by the Salon jury he felt some affinity with the group. Furthermore although he was never an Impressionist, after working alongside Camille Pissarro and spending time with Claude Monet his color palette brightened up and he began to work en plein air. Nonetheless after exhibiting with the Impressionists twice Cézanne ended his relationship with the group due to artistic differences.
Camille Pissarro was one of Paul Cézanne's biggest influences and after spending time with him in 1872 Cézanne started to work outdoors with a wider range of colors. He met van Gogh around this time and was also influenced by his style. Consequently, Cezanne's brush strokes became less dense and more fluid in style. Compositions from this period clearly reveal that Cézanne's technique and subject matter was becoming Impressionistic.
Even so his interest in working indoors persisted and Paul Cézanne created a number of still-life paintings of flowers. In the late 1870s Cézanne moved away from Impressionism for good with the use of heavy and dark colors, and he wished to analyze the scene before him rather than copy it as the Impressionists did. Throughout his life Cézanne became more and more influenced by nature and particularly the beauty of his home in Aix-en-Provence. He wanted to capture the part of nature that was constant rather than the surface beauty that changed with the seasons.
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