Oil Painting Pictures Biography
(Source google.com)
Bob Ross, born in Florida on October 29,
1942, discovered oil painting while he was enlisted in the U.S. Air Force in
the early 1960s. He studied the "wet-on-wet" technique, which allowed
him to produce complete paintings in less than an hour. He then became an
instructor himself, eventually teaching a TV audience of millions on the PBS
show The Joy of Painting. Bob Ross, television's famous painting instructor,
was born Robert Norman Ross in Daytona ,
Florida Orlando , Florida Anchorage ,
Alaska United Service Organizations club. From that point on, he was
"hooked," a term he would use frequently during his years as a
painting instructor.
After returning from the Air
Force, Ross attended various art schools until he learned the technique of
"wet-on-wet" from William Alexander (later his bitter rival), where
oil paints are applied directly on top of one another to produce complete
paintings (mostly landscapes) in less than an hour. Ross taught wet-on-wet to
several friends and colleagues, and in the early 1980s, he was given his on
show on PBS based on the technique. Ross's instructional program, The Joy of
Painting, premiered in 1983 on PBS, where it would run for more than a decade
and attract millions of viewers. As a TV painting instructor, Ross became known
for his light humor and gentle demeanor, as well as his ability to complete a
painting in 30 minutes. The Joy of Painting would eventually be carried by more
than 275 stations, spawning an empire that would include videos, how-to books,
art supplies and certified Bob Ross instructors.
The Joy of Painting was canceled
in 1994 so that Ross could focus on his health; the famous TV instructor and
host had been diagnosed with lymphoma around that same time. Ross died from
lymphoma at the age of 52, on July 4, 1995, in New Smyrna Beach , Florida
If you look in a dictionary for
the word spontaneous you will find definitions like, "rising from a
momentary impulse without conscious reflection", or, "not apparently
contrived or
anipulated: natural" or "often surprising for the
surrounding environment".
Looking at Voka's paintings from this vantage
point, makes this newly created expression a more than meaningful description
of his work. If one has the opportunity or chance to watch the painter while he
is in the act of creating his work, and see – or better, experience – the
immediacy, vigor and enthusiasm with which Voka creates his paintings, then
this simple expression, spontaneous realism, conveys a defining emotion. And
this is exactly the moment where his art begins. Voka's inspirations are the
everyday events of daily life, the seemingly hidden, though omnipresent.
"The motif is not the
deciding factor for me, but rather my motivation behind it."
He tries to
capture with his paintings, snapshot-like, the things that touch him, whatever
the reason for it might be. A small digital camera is his constant companion.
Often he presses the shutter indiscriminately, without even looking through the
view-finder or focusing on a
particular point. These snapshots serve as a
memory aid, as a kind of inspiration, not as a template. During the act of
painting he remembers a particular situation. What exactly was it that stirred
his senses? An intriguing sound? A certain scent?
The basis of Voka's artistic
abilities is rooted in his longstanding creative challenge with the art of
realism. This intimate knowledge combined with his technical skills and
artistic talent enables him to react spontaneously to the unforeseen. Only
those who know the entirety
can reduce it to the essence. His creative process
is not the painting of pictures but rather the forming of colors. It is for
Voka like a walk through memory lane, wherein he modifies his memories,
intensifies them and arranges them anew until they transform into something
concrete.
This could be rays of light, a group of people or an inspiring color accent in
a specific location. Everything else serves only as a frame that helps
accentuate the main theme. Another important element in Voka's paintings is
time. Voka's hands are dancing so fast over the canvas that it almost seems like
he puts himself under pressure. An imaginary race begins in which the thought
competes with the actual act of painting. It is an interplay in which the idea
is just a breath ahead of the brush stroke. "Every painting is an
impulsive challenge that starts with a first idea and ends with the final brush
stroke, and each brush stroke decides over victory or defeat."
What
attracts Voka is the depiction of the unforeseen.
He calls it also a dialogue
with colors where pure chance always has a right to answer, too.
"If I
knew in advance how the finished painting would look, it would be too boring to
paint it in the first place."
Oil Painting Pictures Pintings of Nature Abstract on Canvas for Kids Scenes Love Beauty and Environment Wallpapers Easy Scenery
Oil Painting Pictures Pintings of Nature Abstract on Canvas for Kids Scenes Love Beauty and Environment Wallpapers Easy Scenery
Oil Painting Pictures Pintings of Nature Abstract on Canvas for Kids Scenes Love Beauty and Environment Wallpapers Easy Scenery
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