Art Painting Supplies Biography
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Anselm Kiefer (born March 8, 1945) is a German painter and sculptor. He studied withJoseph Beuys and Peter Dreher during the 1970s. His works incorporate materials such asstraw, ash, clay, lead, and shellac. The poems of Paul Celan have played a role in developing Kiefer's themes of German history and the horror of the Holocaust, as have the spiritual concepts of Kabbalah.
In his entire body of work, Kiefer argues with the past and addresses taboo and controversial issues from recent history. Themes from Nazi rule are particularly reflected in his work; for instance, the painting "Margarethe" (oil and straw on canvas) was inspired byPaul Celan's well-known poem "Todesfuge" ("Death Fugue").
His works are characterised by an unflinching willingness to confront his culture's dark past, and unrealized potential, in works that are often done on a large, confrontational scale well suited to the subjects. It is also characteristic of his work to find signatures and/or names of people of historical importance, legendary figures or places particularly pregnant with history. All of these are encoded sigils through which Kiefer seeks to process the past; this has resulted in his work being linked with a style called New Symbolism.
Kiefer has lived and worked in France since 1991. Since 2008, he has lived and worked primarily in Paris and in Alcácer do Sal, Portugal. Kiefer was born in Donaueschingen, Germany, on March 8, 1945, just a few months before the end of World War II. In 1951 he moved toOttersdorf and attended grammar school in Rastatt. In 1966, he abandoned his law and Romance language studies at University of Freiburg to study at art academies in Freiburg, Karlsruhe, and Düsseldorf. In Karlsruhe, he studied under Peter Dreher, an important realist and figurative painter.
Kiefer began his career as a photographer with performances in which he, in paramilitary costumes, mimicked the Nazi salute on various locations in France, Switzerland and Italy calling for Germans to remember and to acknowledge the loss to their culture through the mad xenophobia of the Third Reich. In 1969, at Galerie am Kaiserplatz, Karlsruhe, he presented his first single exhibition "Besetzungen (Occupations)" with a series of photographs about controversial political actions.
Kiefer is best known for his paintings, which have grown increasingly large in scale with additions of lead, broken glass, and dried flowers or plants, resulting in encrusted surfaces and thick layers of impasto. By 1970, while studying informally under Joseph Beuys at Kunstakademie Düsseldorf, his stylistic leanings resembled Georg Baselitz's approach. He worked with glass, straw, wood and plant parts. The use of these materials meant that his art works became temporary and fragile, as Kiefer himself is well aware; he also wanted to showcase the materials in such a way that they were not disguised and could be represented in their natural form. The fragility of his work contrasts with the stark subject matter in his paintings. This use of familiar materials to express ideas was influenced by Beuys's art practice, in which he used fat and carpet felt. It is also typical of the Neo-Expressionist style. After many years away, Kiefer returned in 1971 to live and work in Donaueschingen. In the years that followed, he incorporated German mythology in particular in his work, and in the next decade he argued with the Kabbalah. He went on extended journeys throughout Europe, the USA and the Middle East; the latter two journeys further influenced his work. Besides paintings, Kiefer created sculptures, watercolors, woodcuts, and photographs.
Throughout the 1970s and early 1980s, Kiefer made numerous paintings, watercolors, woodcuts, and books on themes interpreted byRichard Wagner in his four-opera cycle Der Ring des Nibelungen (The Ring of the Nibelung).[6] In the early 1980s, he created more than thirty paintings, painted photographs, and watercolors that refer in their titles and inscriptions to the Romanian Jewish writer Paul Celan's poem "Todesfuge" ("Death Fugue").
A series of paintings Kiefer executed between 1980 and 1983 depict looming stone edifices, referring to famous examples of National Socialist architecture, particularly buildings designed by Albert Speer and Wilhelm Kreis. The grand plaza in To the Unknown Painter(1983) specifically refers to the outdoor courtyard of Hitler's Chancellery in Berlin, designed by Speer in 1938 in honor of the Unknown Soldier. In 1984–85, he made a series of works on paper incorporating manipulated black-and-white photographs of desolate landscapes with utility poles and power lines. Such works, like Heavy Cloud (1985), were an indirect response to the controversy in West Germany in the early 1980s about NATO's stationing of tactical nuclear missiles on German soil and the placement of nuclear fuel processing facilities.
By the mid-1980s, Kiefer’s themes widened from a focus on Germany's role in civilization to the fate of art and culture in general. His work became more sculptural and involved not only national identity and collective memory, but also occult symbolism, theology andmysticism. The theme of all the work is the trauma experienced by entire societies, and the continual rebirth and renewal in life. During the 1980s his paintings became more physical, and featured unusual textures and materials. The range of his themes broadened to include references to ancient Hebrew and Egyptian history, as in the large painting Osiris and Isis (1985–87). His paintings of the 1990s, in particular, explore the universal myths of existence and meaning rather than those of national identity. From 1995 to 2001, he started a cycle of large paintings of the cosmos. He also started to turn to sculpture, although lead still remains his preferred medium.
Art Painting Supplies Pintings of Nature Abstract on Canvas for Kids Scenes Love Beauty and Environment Wallpapers Easy Scenery
Art Painting Supplies Pintings of Nature Abstract on Canvas for Kids Scenes Love Beauty and Environment Wallpapers Easy Scenery
Art Painting Supplies Pintings of Nature Abstract on Canvas for Kids Scenes Love Beauty and Environment Wallpapers Easy Scenery
Art Painting Supplies Pintings of Nature Abstract on Canvas for Kids Scenes Love Beauty and Environment Wallpapers Easy Scenery
Art Painting Supplies Pintings of Nature Abstract on Canvas for Kids Scenes Love Beauty and Environment Wallpapers Easy Scenery
Art Painting Supplies Pintings of Nature Abstract on Canvas for Kids Scenes Love Beauty and Environment Wallpapers Easy Scenery
Art Painting Supplies Pintings of Nature Abstract on Canvas for Kids Scenes Love Beauty and Environment Wallpapers Easy Scenery
Art Painting Supplies Pintings of Nature Abstract on Canvas for Kids Scenes Love Beauty and Environment Wallpapers Easy Scenery
Art Painting Supplies Pintings of Nature Abstract on Canvas for Kids Scenes Love Beauty and Environment Wallpapers Easy Scenery
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