Modern Paintings Biography
(Source google.com)
Paul Jackson Pollock (January 28, 1912 – August 11, 1956), known as Jackson Pollock, was an influential American painter and a major figure in the abstract expressionist movement. He was well known for his unique style of drip painting. During his lifetime, Pollock enjoyed considerable fame and notoriety, a major artist of his generation. Regarded as reclusive, he had a volatile personality, and struggled withalcoholism for most of his life. In 1945, he married the artist Lee Krasner, who became an important influence on his career and on his legacy.
Pollock died at the age of 44 in an alcohol-related, single-car accident; he was driving. In December 1956, several months after his death, Pollock was given a memorialretrospective exhibition at the Museum of Modern Art (MoMA) in New York City. A larger, more comprehensive exhibition of his work was held there in 1967. In 1998 and 1999, his work was honored with large-scale retrospective exhibitions at MoMA and at The Tate in London. In 2000, Jackson Pollock was the subject of an Academy Award-winning film Pollockdirected by and starring Pollock was born in Cody, Wyoming, in 1912, the youngest of five sons. His parents, Stella May (née McClure) and LeRoy Pollock, were born and grew up in Tingley, Iowa and were educated at Tingley High School. Pollock's mother is interred at Tingley Cemetery,Ringgold County, Iowa. His father had been born with the surname McCoy but took the surname of his adoptive parents, neighbors who adopted him after his own parents had died within a year of each other. Stella and LeRoy Pollock were Presbyterian; they were of Irishand Scots-Irish descent, respectively. LeRoy Pollock was a farmer and later a land surveyor for the government, moving for different jobs. Jackson grew up in Arizona and Chico, California. While living in Echo Park, California, he enrolled at Los Angeles' Manual Arts High School, from which he was expelled. He already had been expelled in 1928 from another high school. During his early life, Pollock explored Native American culture while on surveying trips with his father.
In 1930, following his older brother Charles Pollock, he moved to New York City, where they both studied under Thomas Hart Benton at the Art Students League. Benton's rural American subject matter had little influence on Pollock's work, but his rhythmic use of paint and his fierce independence were more lasting. From 1938 to 1942, during the Great Depression, Pollock worked for the WPA Federal Art Project. Trying to deal with his established alcoholism, from 1938 through 1941 Pollock underwent Jungian psychotherapy with Dr. Joseph Henderson and later with Dr. Violet Staub de Laszlo in 1941-1942. Henderson engaged him through his art, encouraging Pollock to make drawings. Jungian concepts and archetypes were expressed in his paintings. Recently historians have hypothesized that Pollock might have had bipolar disorder. Pollock signed a gallery contract with Peggy Guggenheim in July 1943. He received the commission to create Mural (1943), which measures roughly 8 feet tall by 20 feet long, for the entry to her new townhouse. At the suggestion of her friend and advisor Marcel Duchamp, Pollock painted the work on canvas, rather than the wall, so that it would be portable. After seeing the big mural, the art criticClement Greenberg wrote: "I took one look at it and I thought, 'Now that's great art,' and I knew Jackson was the greatest painter this country had produced."
Pollock was introduced to the use of liquid paint in 1936 at an experimental workshop in New York City by the Mexican muralist David Alfaro Siqueiros. He later used paint pouring as one of several techniques on canvases of the early 1940s, such as Male and Female and Composition with Pouring I. After his move to Springs, he began painting with his canvases laid out on the studio floor, and he developed what was later called his "drip" technique. He started using synthetic resin-based paints called alkyd enamels, which, at that time, was a novel medium. Pollock described this use of household paints, instead of artist’s paints, as "a natural growth out of a need". He used hardened brushes, sticks, and even basting syringes as paint applicators. Pollock's technique of pouring and dripping paint is thought to be one of the origins of the termaction painting. With this technique, Pollock was able to achieve a more immediate means of creating art, the paint now literally flowing from his chosen tool onto the canvas. By defying the convention of painting on an upright surface, he added a new dimension by being able to view and apply paint to his canvases from all directions.
A possible influence on Pollock was the work of the Ukrainian American artist Janet Sobel (1894–1968) (born Jennie Lechovsky).Peggy Guggenheim included Sobel's work in her The Art of This Century Gallery in 1945. With Jackson Pollock, the critic Clement Greenberg saw Sobel's work there in 1946.In his essay "American-Type Painting," Greenberg noted those works were the first of all-over painting he had seen, and said that "Pollock admitted that these pictures had made an impression on him". While painting this way, Pollock moved away from figurative representation, and challenged the Western tradition of using easel and brush. He used the force of his whole body to paint, which was expressed on the large canvases. In 1956, Time magazine dubbed Pollock "Jack the Dripper," due to his painting style.
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