Contemporary Artists Biography
(Source google.com)
Zhou Fan was born in 1983 in Shanxi Province in northern China. In 2006, Zhou Fan graduated from the art department of Shanxi University. He participated in a solo exhibition and several group exhibition in his home province that year. Zhou Fan participated in a museum show in 2007 called "Art Design" at the Zendai Art Museum in Shanghai, one of the top art museums in China's financial capital.
In late 2007, Zhou Fan was selected as one of the top 25 emerging Chinese artists (out of over 1300 applicants) at the Chinese Art Prize (CAP) by important international art critics, including Gerard Goodrow (Director of the globally famos Art Cologne) and Jeff Kelley (Curator of the Asian Art Museum in California). Zhou Fan was given the "special mention" prize, which had never been awarded before. The Chinese Art Prize launched Zhou Fan's career, and allowed him to gain much more exposure. Also in 2007, Zhou Fan participated in Art Beijing, one of the top art expositions in China.
In 2008, Zhou continued to exhibit globally, with a group show in New York and an excellent reception for his work at Art Cologne in Germany, one of the world's most important art expositions. And in October 2008, Zhou Fan had his first big solo show at Art Scene China in Shanghai.
Zhou Fan's work was exhibited at the Doland Museum of Modern Art in Shanghai in 2009. The artist's work was also exhibited at the Toronto International Art Fair (TIAF) in October that year. Earlier in the year, Zhou Fan also held shows in Dubai and Bahrain in the Middle East.
A series of my paintings is based on dreams that I had as a child of many many jellyfish floating in the sky, some of which fell to the ground on parachures and became mushrooms. These dreams had a strong impact on me, and I remember them vividly. Somehow I feel that it is easier to focus on dreams than reality. In one particular painting, there is a boy crying because he keeps things within him, is easily sad, and he refuses to face reality.
Zhou Fan is a rising star in the Chinese art scene – he is a young, yet extremely creative, Chinese contemporary artist. His paintings have attracted attention at exhibitions in New York, Germany and Shanghai. In the Chinese Art Prize 2007, Zhou Fan was selected as one of the top 3 emerging Chinese contemporary artists (out of over 1300 entries into the art prize) by Gerard Goodrow, Director of Art Cologne, Jeff Kelley, Curator of the Asian Art Museum in California and other important judges.
The first thing that strikes people when they view Zhou Fan’s work is how his paintings are so colourful and detailed. Zhou Fan spends many hours carefully painting the details and tiny lines which compose his subjects. Some people have remarked that the paintings have a “Japanese quality” to them. Zhou Fan is in fact ¾ Chinese and ¼ Japanese, and while his Japanese side has probably had some influence on the artist’s interests, Zhou has spent his whole life in China and cannot even speak Japanese. Zhou Fan paints his works so colourfully because his subject matter, such as jellyfish, is colourful. Jellyfish can glow a multitude of colours as they float in the ocean’s skies. While they are calm and soothing fish to look at, they pack a powerful sting that can even kill small fish or animals. Zhou has explained that one of his priorities is to make his works attractive, which is another reason why he makes his works so colourful. “Visual effect” is one of the priorities of any artist, according to Zhou.Zhou Fan has been very inspired by his childhood. While the artist has always had a strong fascination for Jellyfish, Zhou’s “Love of Jellyfish” series of paintings is based on dreams that he had as a young boy of many jellyfish floating in the sky, some of which fell to the ground on parachutes and became mushrooms. These dreams had a strong impact on the artist, and he remembers them vividly. The artist explains, “Somehow I feel that it is easier to focus on dreams than reality”. According to psychologists, our daily fantasies and dreams are actually extensions and expansion of our reality. In another series of paintings, Zhou Fan paints a fat boy, with many moles and a big tire-ring of fat around his neck. The series is titled: “Teacher, I won’t do it again”. The fat boy is crying, and he has a band-aid on his finger, which has clearly been bleeding. In some of the paintings in the series, the boy has a candy in his hand; presumably, the boy has been eating too much candy and the teacher scolded him, so he is crying. This subject-matter, too, harks back to Zhou Fan’s childhood, when he had a very fat classmate in school who could not stop eating candies. Zhou was sympathetic towards the boy and felt bad when teachers were harsh to his fat classmate. Even Zhou’s classmates were mean to the boy and picked on him a lot.
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